Monday, December 28, 2009

Brent Corrigan Brent Everett Movie

Images Take

The "brand image" is more than an icon or a concept: a set of "perceptions, ideas, associations, beliefs and feelings, real or psychological, to the public perceives" (Dictionary J. Walter Thompson). What interests us here is not a complex concept, but the role of the visual recognition of a brand.

The key here is what "brand: "A sign that identifies and distinguishes a product / service of your competitors, and certifies its origin" (J. Costa). The visual sign is a powerful means of storage and identification so that if you choose well, it stands as an important contributing factor. As Costa added: "It's pure sympathetic magic." But the mark as a sign, has two components: an iconic and other verbal, because it is necessary to name it. The successful introduction of a brand will be greater if there is an optimal combination of both. That lasts depends on many factors, especially those linked to the benefits of experience with the product or service itself.

In visual proper, key factors are:


  • Ease and speed of pattern recognition

  • Readability

  • adaptability to different formats

  • Affinity
    graphical user / receiver

  • Kindness

  • Innovation



Lets look at some successful examples.


The drink was created by pharmacist John Pemberton as a patent medicine in 1885 but was later acquired by businessman Asa Griggs Candler. Frank Robinson named it Coca-Cola and his calligraphy designed the current logo of the brand. Not only does this design has successfully maintain the display of the brand: the shape of the bottle, created in 1916 by the Root Glass Company of Terre Haute (Indiana) - was another success of marketing (usually associated with the curves of figure female).



René Lacoste, nicknamed 'Crocodile', took his nickname since he bet a bag made of crocodile and won. Later he became a crocodile embroidery on the lapel of his jacket, because at that time was still uncommon to see the players play in short pants and shirt. Later when he founded his own fashion label in 1933 put his name to the trademark and logo of the crocodile. The brand logo is a green crocodile (sometimes red dish keeps your mouth open), which in many ways is in the vast majority of brand products, pioneering the mark to put the logo on the outside of garments. (Wikipedia)


Mercedes-Benz is the oldest car manufacturer in the world. The famous star 3-point, designed by Gottlieb Daimler, shows the ability of his motors for use on land, sea or air, elements in which Daimler had been pioneers, symbolizing the search Daimler's original small, powerful engines provide tools to travel by any of them. It first appeared on a Daimler vehicle in 1909. The ring plane joining the three-pointed star was first used in 1937. (Wikipedia)



In 1908, Walker's Kilmarnock Whiskies Whisky changed its name to Johnnie Walker Whisky and Tom Browne designed the famous image of the gentleman traveler.








Yellow Tail Australian wine
A kangaroo is the symbol of the Australian came out of nowhere, became the biggest seller in the U.S.. UU (5 million cases) in 2008?.







Bibliography: J. COSTA
"brand image", Paidos, 2004
J. COSTA: "Reinventing Advertising: reflections from the social sciences"
G. PENINOU: "Semiotics of Advertising", G. Gili, 1976
J. Royo: "Liquid Identity", 2008?

Monday, December 7, 2009

How Hot Topic Gift Cards Work

trademark visual field data views

With the advancement of data capture technologies, the image (in this case the picture) is becoming more and more new applications. Thus applications are emerging operations aimed at controlling "land users". Examples are those developed by companies KNK and Coda System, which were submitted to Microsoft Mobility Briefing.

What is it? Today there are many individuals whose role is home delivery or collect field data and have been equipped with digital devices for collecting data. They are, most of the time, the equivalent of PDAs (personal digital assistent). PDAs have evolved mostly toward smartphones, cell phones with multiple functions, becoming more like computers. But these phones have also been integrated cameras digital.

Here is where the idea of \u200b\u200busing these cameras to collect information. But transmit photos over the phone would be slow and costly. Nor is it necessary in the case of "field data collectors, who collect the data in its memory and" empty "in the central system when the user returns to the office. Hence there are new PDAs are not equipped with camera phones but as well as applications that can be installed on smartphones, which complements the photo data collected in a form and becomes an element of proof of delivery to the consignee or reading or copy of the required data. This gain in reliability, avoiding transcription errors, automate processes and preserved evidence.

So do the solutions, "Shoot to Proof" of CodaSystem (photo opposite) or "immorality" of KNK. "Shoot to Proof" also marks and encrypts the photos, thus increasing the security of the test (eventually giving legal validity, as in France). It is compatible with the Curve and the BlackBerry Bold, Windows smart phones with camera 3Mpx and Apple iPhone.
Source: O. Chicheportiche, "relieve d'infos sur le terrain: l'image arrive in force, and businessmobile.fr ZDnet.fr, 11/06/2009

Monday, November 16, 2009

Messenger Bots Online All The Time



If we change our normal view we can discover some things surprising. The wide-angle cameras are especially suited to offer such views. Here are some examples, with or without a camera or special lens.

Gateway in San Bernardo (Photo R. Colle)

















Bell (Photo R. Colle)

















Limpiando Vidrios (Photo R. Colle)

















Orange (Photo R. Colle)












(Photo JPLira)































drop drop (Photo Edgertorn, Multimedia Kiosk Rochester)











(Alexia-Deiter, Blogvecindad.com)

















What you see a patient from his bed dialysis (Photo Alejandro Marticorena)

Tuesday, November 3, 2009

Why Is My Lcd Bleeding



Monday, November 2, 2009

Graceland обувь

emotional icons transcultural


contemplate the face of a baby can do much more than just soften or awakening the maternal instinct. According to research by Wilhelm University of Munster in Germany, faces questioning the reward center of the female brain and trigger feelings of happiness. (Mercury News, 04/06/2009)

is likely that something similar happens to the picture a sick or injured, calling the concern and care. We display is usually self-censored injured in the media, not only to preserve their identity so as to avoid the impression that may occur (especially in his family, if they saw that.)


Injured: Photo newbiegno, www.taringa.net




On the other hand, there are other images that influence other brain areas: those that appeal to erotica, mainly exploited by pornography. Jennifer Lopez

Monday, October 19, 2009

Vancouver To Disneyland Cruise



(Code Recognition II)

In the previous post, we illustrated how the mind constructs from early childhood "models" that allow basic group objects into easily recognizable categories. This phenomenon is such that we find their traces from the longest, as illustrated here.

Animals, rock painting, Pampa del Muerto, Chile
Animal; rock carving of Tibet
Male; Geoglyph, Chile
Egyptian Hieroglyphics "haty" ("head") based on the lion
Egyptian Hieroglyphics "toe" ("head")
Leon Sumerian
Bird, Christian catacomb

Monday, October 12, 2009

Catheter No Prescription

basic literacy Literacy Illiteracy

In previous post, we mentioned the "basic" literacy we all have by the mere fact of having the vision and training Basic early childhood. This is a product of the structure and mode of operation of our nervous system. Perception (essentially the retina) is such that records changes and differences in the light that comes from the environment. The brain, in turn, compares these data and classified, as explained in Chapter 11 . Then emerge patterns and categories that are extracting and memorizing, whose main components are the "relevant features", on the basis of which the phenomenon of recognition (see Settings ). It is this mechanism that forms the basis of the ideograph (see 4.8 and Chapter 8). Also means that there are certain "models" of objects such that they easily recognized the function they perform.

Thus, we must recognize the existence of a sort of basic code of recognition that culture is part of the minimum (which may vary in part according to region) that can recognize beings (animate or inanimate) from certain schemes recognition based on relevant features. We review here some examples.

Referrer Scheme Example
House
Church

Palace (or public building)
Male
Fish
Animal
Vehicle

Monday, September 28, 2009

How To Eat Moldy Salami

visual basic visual

In a column for the newspaper El Mercurio (Santiago de Chile, 19-09-2009), Peter Gandolfo writes:

    " A visually literate person is when, first, knows a part of the legacy of images that Western art has been created to date. Even more, we should require, in our mixed character, that knowledge extends to the basic iconography Pre-Columbian American peoples. Knowing implies, very primary, "have seen" and, secondly, be able to identify the author (individual or collective) and place it in its historical and cultural context. "

may wonder whether this concept of" visual literacy "is correct.
Let us to do so by the definitions, using the dictionary of the Royal Academy English Language:
    illiteracy (illiterate)
    1. m. Lack of elementary education in a country, inter alia the number of its citizens who can not read.
    2. m. The quality of being illiterate.
    Illiterate
    1. adj. You can not read or write.
    2. adj. ignorant, uneducated, or profane in any discipline.

Thus, being illiterate is not read or write or be ignorant in this case in terms of visual expression. But it is clear that everyone (or almost) is able to "read" visual images and, thanks to digital cameras today, many are those who can "write." Is this enough or should take Gandolfo requirements?
In fact, Gandolfo focuses on a particular kind of visual literacy: that of Western culture and local culture. But there are other forms or levels:
  • basic or elementary level, any person gifted with vision and mental processing capacity is capable of recognizing and categorizing shapes, although the final allocation of meaning can vary according to culture
  • advanced level: mastery of the rules of expression, which are those stated above

Between the two is the level to which it refers Gandolfo. We have discussed extensively in this blog (especially its first chapters) with respect to the advanced level. In a next installment will discuss the key aspects of the baseline. We propose here a little quiz to test our "cultural literacy." See if you can identify the icons that follows (answers below).


Western culture


1. 2.
3. 4.
5. 6.
7. 8.
9. 10.
Columbian Culture

11. 12.
13. 14.
15. 16.


Western
1. Code of Hammurabi (Mesopotamia)
2. Pyramid and Sphinx of Giza (Egypt)
3. Apollo Belvedere (Greece)
4. Colosseum (Rome)
5. Hagia Sophia (Istanbul, Byzantine)
6. Notre Dame de Paris (French Gothic)
7. La Pieta, Michelangelo (Italian Renaissance or "Cinquecento")
8. The Mystic Lamb, of Hubert Van Eyck (Flemish painting, Renaissance)
9. The Surrender of Breda, Velázquez (English Baroque)
10. Bal au Moulin de la Galette by Auguste Renoir (Impressionism French)

Columbian
11. Onservatorio of Chichen Itza (Mexico, Classic Maya, ages III to X)
12. Aztec calendar (Mexico, XIV to XVI centuries)
13. Sacsayhuaman (Cuzco, Inca, 1200-1535 AD) (course Machu Picchu is better known)
14. Puerta del Sol, Tiwanaku (Bolivia, 1,500 BC or more)
15. Petroglyph Atacama (Chile, 400-700 AD)
16. Jarro Diaguita (Chile, 900-1500 AD)